p.e.r.s.o.n.a.l.c.l.u.t.t.e.r// d.e.e.p.t.i.m.e@f.r.u.i.t.m.a.r.k.e.t p.e.r.s.o.n.a.l.c.l.u.t.t.e.r present a programme for Deep Time that explores the fragility of stasis, slowness, and the natural world amid the clamour of clickbait, short attention spans and the Information Age. Between the disparate and the hyperconnected, the timeless and the ever-changing, the audience will be drawn from internal moments to an extroverted and hyperactive present. Through the lens of selected composers whose themes include deep listening, movement, popular culture and ritual, p.e.r.s.o.n.a.l.c.l.u.t.t.e.r invite the audience to pay attention to the quiet as well as the noise, and experience minute and sometimes frantic changes in their bodies alongside more spacious meditations. The programme opens with a new work, seconds, minutes, hours, eons by composer Sara Glojnarić – commissioned for Deep Time by Fruitmarket and p.e.r.s.o.n.a.l.c.l.u.t.t.e.r – which contextualises the concept of deep time by making seamless jumps from the Big Bang to Brexit through a hybrid form that combines a concert scenario with scripted reality and musiktheater, to reflect on the history of time through the eyes of a millennial in a post-internet world. Programme Sara Glojnarić seconds, minutes, hours, eons, 2023 (world premiere, commissioned by Fruitmarket) (10 mins) Berglind María Tómasdóttir My Favourite Things, 2023 (UK premiere) (12 mins) Esin Gunduz A Sense of Energy, 2018 (UK premiere) (5 mins) Jenni Hogan Gregor, 2023 (world premiere) (6 mins) Jennifer Walshe EVERYTHING YOU OWN HAS BEEN TAKEN TO A DEPOT SOMEWHERE, 2013 (10 mins) Jessie Marino Jesus fucking Christ Linda, 2020 (12 mins)